Okay, Shellie, I'm going to have to borrow your can-opener a minute
Please note: This is my PERSONAL perspective from PERSONAL experiences and observation.
I grew up in the segregated South of the 50's and 60's hearing cry after cry of "equality...equality...equality." Martin Luther King's, "I have a dream," rang true and year by year I could feel (a good feeling) that the dream was becoming a reality. In the 1970's and early 80's I genuinely sensed a coming together and respect between whites and blacks, with equality becoming more and more evident.
But somewhere around the mid to late 80's I noticed suttle little things like, "The Black Entertainment Network," "Miss Black America," etc., and (ultimate to me) the message that blacks somehow had "rightful ownership" of gospel music and artistic expression of such. Where, when, and by whom was that written and put into stone?
Think about it. Most every major network television broadcast that includes or features big musical numbers (Academy Awards, Grammys, American Idol, and any number of "Specials") will, at some point, feature a BLACK choir singing back-up.
Why? Because gospel music is culturally associated and accepted - if performed by blacks.
My point in connection with the topic of this thread? Those who cry for "equality" often want it both ways, wanting all the rights and privileges while maintaining a seperate and exclusive identity.